Brandon Martinez – Red Ice Creations Interview, 2 March 2016
‘Brandon Martinez – NeoCon Globalism and Kalergi’s Plan to
genocide Europeans.’
“Their activism is aimed at exploiting divisions and
exacerbating those divisions, and creating new divisions through promotion of
identity politics. Things like feminism, transgenderism, these new phenomenon
that have sprung out of the new left, through what can be traced back to
cultural Marxism which is a byproduct of the Frankfurt School, which originated
in Germany. In 1923. It was established by a guy named Carl Grϋnberg,
a Jewish Marxist professor, and it was financed by a Jewish millionaire named
Felix Weil. And essentially, what the Frankfurt School was all about was sort of
deconstructing the authoritarian personality of Western civilisation, or
Western men specifically. And it doesn’t entirely originate as like a post-WW2
movement because it was established before World War Two, prior to Hitler
coming to power. And they’d already been, you know, formulating these adoptions
prior to this. So it’s not something that sprang up as a reaction to Hitler. It was actually pre-Hitler. And then they just
used Hitler as their model bad guy to deconstruct.
So almost all of the intellectual forbears of cultural
Marxism and the Frankfurt School are Jewish...Go down the list. All of them are
Jewish. All of them are very strongly identifying Jews and Zionists so their
agenda is quite obvious. It is to break down the cultural fabric of Western
societies so that they do not lead into something that could resemble ‘fascism’
which is just a euphemism at this point for kind of gentile nationalism. So,
their afraid of nationalism for all other peoples, right. They’re the ones who
stamped out nationalism for Palestinians. They stifle the self-determination of
Palestinians. They carpet bomb them and drone bomb them and use white
phosphorous and then demonise them in the media. So they’re against nationalism
for all gentiles, white or non-white, it doesn’t matter. Whoever they view as a
competitor. But then they’re all for nationalism for themselves because that
makes them strong. That builds up their ‘in-group loyalty.’ But they’re all
about breaking that down for other groups because that’s part of their group
evolutionary strategy, or whatever, to advance themselves, advance their power,
their interests.
And not all Jews are involved in the Frankfurt School.
Obviously not, right. These are a select group of very active and extremely
paranoid schizophrenic I would say, Jewish elites that have committed
themselves to this moment which infiltrated a lot of the universities in the
United States, post World War Two. Hitler actually kicked them out of Germany.
They burrowed their way into Columbia University and other places in the US.
That became the hub, the centre of Marxist activity in the US. And then all
these other movements started to spring up after that. Like the new Left and
that whole sexual revolution and everything involves with that.”
'Adorno and
Horkheimer - 'Culture Industry: Enlightenment as Mass Deception'
A summary by Shahar Fisher, 19 December 2013
A summary by Shahar Fisher, 19 December 2013
"Culture
Industry: Enlightenment as Mass Deception" is a chapter in Theodor Adorno
and Max Horkheimer's book "Dialectic of Enlightenment" which
discusses their famous notion of the "culture industry". In this
chapter Adorno and Horkheimer view capitalist society's culture industry as an
aspect of the enlightenment has betrayed itself by allowing instrumental logic
to take over human social life (a notion developed throughout "DialecticofEnlightenment").
According to Adorno
and Horkheimer, culture industry is a main phenomenon of late capitalism, one
which encompasses all products and form of light entertainment – from Hollywood
films to elevator music. All these forms of popular culture are designed to
satisfy the growing needs of mass capitalistic consumers for entertainment.
Adorno specifically notes that the term "culture industry" was chosen
over "mass culture" in order to make sure that it is not understood
as something which spontaneously stems from the masses themselves.
Products of the
culture economy take the appearance of artwork but are in fact dependant on
industry and economy, meaning they are subjected to the interests of money and
power. All products of the culture industry are designed for profit. According
to Adorno and Horkheimer this means that every work of art is turned into a
consumer product and is shaped by the logic of capitalist rationality (i.e.
whatever sells best). Art is no longer autonomous, but is rather a commodified
product of the economic relations of production.
The main argument
of "Culture Industry: Enlightenment as Mass Deception" is that the
commodification of culture is the commodification of human conciseness. Adorno
and Horkheimer assert that culture industry eradicates autonomous thinking and
criticism, serving to preserve the reigning order. It provides easy
entertainment which distracts massed from the wrongs and sickness of the ruling
order. They argue that culture industry has taken over reality as the prism
through which people experience reality, thus completely shaping and
conditioning their experience of life. In addition culture industry serves to
keep workers busy, as expressed by the famous quote from "Dialectic of
Enlightenment": "Amusement has become
an extension of labor under late capitalism".
Popular culture appears to be offering a refuge and distraction for work, but
in fact it causes the worker to further dwell into a world of products and
consumerism. The only freedom culture industry has to really offer a freedom
from thinking.
Adorno and Horkheimer
claim that culture industry positions the masses ad objects of manipulation
(instead of just satisfying their wants and needs). This turns people into
passive and subordinated subjects, unable to fully take critical responsibility
for their own action, a thing which is crucial for a functioning democracy.
People therefore gladly give in a help maintain the system by taking part in
it.
in "Culture
Industry: Enlightenment as Mass Deception" Adorno and Horkheimer stress
the fact that culture industry uses a production-line mentality in producing
cultural products. Seemingly all films and TV shows we watch are different, but
in fact they follow the same recycled formulas as in other types of consumer
goods. Like consumers goods, it feels like "there is something for
everyone" here but in fact it's all variations of the same thing. This is
a main feature of the culture industry, for the fact that all products are
produced under the same scheme allows them to be "readable" and
effortlessly digested. This is how culture industry imposes conformity – with
things that only seem to be different but are in fact all (slight) variations
of the same thing. The final argument posed by Adorno and Horkheimer is that
people under capitalism suffer the same fate of art under the culture industry
– they are reduced to the exchange value with no intrinsic or unique traits as
the Enlightenment dreamed.
Nice work, a very crucial topic.
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